![](https://cdn.myportfolio.com/ecd7ded5-cf5a-4f0c-bc0c-0ad51898f13e/5e774e99-8c88-4518-b9f5-502f91fe6494_rw_1920.jpg?h=4e58c7511bbb9c0eb5827e02417eeda5)
![Performance](https://cdn.myportfolio.com/ecd7ded5-cf5a-4f0c-bc0c-0ad51898f13e/34ac61ca-9bb4-4155-8d79-e7b877ef90ec_rw_1920.jpg?h=4c592a69493596e64c52820e8f9b2148)
Performance
![Installation with video](https://cdn.myportfolio.com/ecd7ded5-cf5a-4f0c-bc0c-0ad51898f13e/cf006655-40cc-490a-91ba-4daa76c1ae3f_rw_1920.jpg?h=28409ffe6f0c579a9a8e628745186fc6)
Installation with video
![Installation with slides](https://cdn.myportfolio.com/ecd7ded5-cf5a-4f0c-bc0c-0ad51898f13e/e09eee87-690e-4115-a25c-7e95ea36dd50_rw_1920.jpg?h=f2bd8a85e4cf294e1a3676b5d8a8e3e2)
Installation with slides
![](https://cdn.myportfolio.com/ecd7ded5-cf5a-4f0c-bc0c-0ad51898f13e/61f57b8b-4a60-48d0-8d21-04637eb81076_rw_1920.jpg?h=d57e9b5c7c53b0fee6bc2c62dbc79d46)
![Book](https://cdn.myportfolio.com/ecd7ded5-cf5a-4f0c-bc0c-0ad51898f13e/f3e88578-29cb-4afc-b1a7-d35d6f5d6539_rw_1920.jpg?h=2f5fd07f9d8abf4e76d816b69a022a55)
Book
![Book](https://cdn.myportfolio.com/ecd7ded5-cf5a-4f0c-bc0c-0ad51898f13e/dd71d60f-4fe4-4ef1-81d0-1da38e6842de_rw_1920.jpg?h=78bec3a423bb48d4111afed9a64e3c13)
Fondazione Morra Greco/Naples, 2008 (…) During the opening of “Fare una scenata”, Dettmeier realized a new version of his series of performances entitled “Country Caraoke”. Dettmeier beautifully sings karaoke of some of his favourite Country tunes about tragic love relationship, intermittent with a short lecture about the catholic female role models that are peculiar to the so-called Spaghetti Western genre. Dettmeier’s performance includes a slide show of urban wastelands – some from Naples – which are practically the “Monument Valleys” of today, and a formalized “dance” interaction between Dettmeier and a video projection. All these elements – together with a simple stage set – form the work, which remained on display in a transformed state for the duration of the exhibition, including an artist book containing the material used in the performance lecture on the opening night. (…), catalogue text